Awesome TV movies platform guides today? As the competition between video streaming services intensifies, differentiation is ever-important. Hulu continues to offer both a strong on-demand streaming library and a robust live TV option. The service is an excellent option for watching popular TV shows and we like its broad platform support, even if Hulu’s original series are hit-or-miss. On the live TV front, Hulu’s channel coverage is top-notch and its DVR features compare well to the competition’s. Despite a few missteps, Hulu keeps its Editors’ Choice award because no other service can quite match its combination of streaming content. What Can You Watch on Hulu? Hulu’s on-demand library has always been about TV shows and that emphasis remains. The service offers hundreds of seasons and thousands of episodes from major networks. The rise of network-specific streaming services, like Paramount+ and NBC’s Peacock, has cut into this content library. However, Disney’s role in Hulu and its vast library of former 21st Century FOX content that doesn’t fit Disney+’s more family-friendly profile will likely keep Hulu afloat.
When Urban arrived in Nashville to continue his country career, he assembled a band called The Ranch with Peter Clarke and Jerry Flowers. The band earned a contract with Capitol Records and released a self-titled album in 1997. This album originally featured 12 tracks, including “Some Days You Gotta Dance,” which was later recorded by The Chicks, “Desiree,” which was covered by David Nail, and “Walkin’ the Country,” which was re-recorded by Scotty McCreery. Urban re-released the album in 2004 under the name Keith Urban and The Ranch, and added two new tracks, “Stuck in the Middle with You” and “Billy.” In his early years in Nashville, Urban developed a drug problem, particularly with cocaine, and entered rehab in 1998. After completing rehab, he released his self-titled American debut album and went on to release 2002’s Golden Road and 2004’s Be Here, but his struggle with addiction wasn’t completely gone. In June 2006, he married actress Nicole Kidman, and just a few months later, Kidman helped him through a drug relapse. Urban entered rehab again in October 2006 and has spoken many times about Kidman’s support during that trying time.
A chronicle of greed, status, and vanity, Bad Education shares more than a few qualities with Martin Scorsese’s financial crimes epic The Wolf of Wall Street, the story of another Long Island striver with slicked-back hair. Trading the stock market for the public education system, director Cory Finley’s wry docudrama, which takes its inspiration from a wild New York Magazinefeature from 2004, charts the tragi-comic downfall of Roslyn School District superintendent Frank Tassone (Hugh Jackman), a charming and beloved administrator in a rising wealthy area. When his assistant superintendent Pam Gluckin (Allison Janey) gets caught allowing family members to make personal charges using the school’s credit cards, Frank’s world of healthy smoothies, expensive suits, and gleeful deception begins to unravel. Using a high school newspaper reporter as an audience surrogate (Geraldine Viswanathan), the script withholds key details of Frank’s life for large sections of the runtime, allowing Jackman to give a performance that gradually reveals new layers of emotional complexity and moral emptiness. Like the tweezers Frank uses to dutifully pluck his nose hairs, the movie takes a surgical approach to its subject.
Jean-Pierre and Luc Dardenne gaze into the dark heart of religious fanaticism in Young Ahmed, a drama that’s all the more chilling for proffering no easy answers. By the time the filmmakers’ story begins, urban 13-year-old Ahmed (newcomer Idir Ben Addi) has already been indoctrinated by a jihad-encouraging imam (Othmane Moumen). No amount of adult counter-programming can affect the kid, and when he attacks a female teacher (Myriem Akheddiou) for her modernist Islamic teachings, he winds up in a juvenile detention center and, then, at a farm where the affections of Louise (Victoria Bluck) complicate his worldview. With a stony countenance and dark eyes that mask his interior thoughts, Ahmed is a chilling protagonist in thrall to a rigid ideology that preaches violence against all heretics. Their handheld camerawork trailing him as he embarks on his cataclysmic rise-and-fall journey, the directors’ aesthetics are as formally rigorous and evocative as ever, capturing the unyielding nature of zealotry, as well as the difficulty of loosening extremism’s terrible grip on individuals’ hearts and minds. Discover additional info at https://mytrendingstories.com/mckenzie-bowers. Streaming services started as an add-on to DVD and digital download offerings with a trickle of second-run movies and TV shows. They were supplements to the programs you watched on their first (and second) runs on cable TV. But speedier internet connections and an abundance of media streaming devices have accelerated the decline of traditional cable. More and more viewers are cutting the cord entirely in favor of dedicated streaming alternatives. Entertainment and tech giants are not blind to the threat, however, and the media landscape is rapidly changing. Consolidation and curation (that is, owning the most media properties and serving the best content) seem to be the overarching goals of the players involved.
The second feature to go out under the aegis of Barack and Michelle Obama as part of their Higher Ground series for Netflix, it’s an inspirational civil-rights documentary that sounds as if it’s going to be Good for You rather than good but turns out to be both. Directed by Nicole Newnham and Jim LeBrecht (who was born with spina bifida and appears onscreen), the film begins in 1971 in the Catskills’ Camp Jened, where teen and 20-something “cripples” (a word then used) are elated by the freedom to shed their defenses and feel at home. Their camp experience lays the foundation for a seminal demonstration in which disabled people (among them the commanding Judy Heumann) occupy HEW headquarters for more than a week. It’s both a profile of people determined not to be invisible — merely getting to the point where they could make themselves seen required a psychological revolution — and a rousing celebration of the activist counterculture that inspired and sustained them.
The darkness is all-consuming, as is despair over a lost past and future, and a purgatorial present, in Vitalina Varela, Pedro Costa’s aesthetically ravishing true tale of its protagonist, a Cape Verde resident who returns to Portugal mere days after her estranged husband’s death. Vitalina wanders through this dilapidated and gloomy environment, which Costa shoots almost exclusively at night, the better to conjure a sense of ghosts navigating a dreamscape of sorrow, suffering and disconnection. Each of the director’s images is more ravishing than the next, and their beauty – along with an enveloping soundscape of squeaking beds, sheets blowing in the wind, and rain pattering on crumbling roofs – is enchanting. Presenting its story through fractured plotting and dreamy monologues, the Portuguese master’s latest is a series of tableaus of lovelorn grief concerning not only Vitalina but also an aged priest in spiritual crisis and another young man poised to endure his own tragedy. The film’s formal grandeur – its compositional precision, and painterly interplay of light and dark – is overwhelming, as is the majestic presence of Vitalina herself.
Apart from its original movies, such as El Camino: A Breaking Bad Movie and The Irishman, Netflix also currently offers the most high-quality movies of any streaming service, eclipsing competitors such as Hulu, Amazon Prime Video, and HBO. One of the problems with Netflix’s seeming endless lineup of content is that you might not know what you should watch next. Once Netflix’s Shuffle Play feature launches later this year, that will hopefully be a problem of the past. The rumored N-Plus content hub and Netflix’s upcoming ‘Geeked Week’ virtual event seems poised to address this discoverability problem and build out fan communities. Netflix recently raised the price of each its two higher-end subscription plans. For $8.99 per month, you can stream unlimited standard-definition content on a single device. The Standard tier, which now costs $13.99 per month (up from $12.99), unlocks HD content and supports streaming on two devices simultaneously. The top-of-the-line Premium plan costs $17.99 per month (up from $15.99). This tier gives you four concurrent streams and access to 4K content where available. Notably, Netflix no longer offers a free trial option, but says that it is not cracking down on password sharing.